Refik Anadol​ is a media artist and director from Istanbul, currently living and working in Los Angeles. Through explorations of space, achieved through immersive installations and experiences, his work examines the idea of memory.
Anadol has been building upon the ideas of machine hallucinations and the melding of digital and physical space for a long time. Having spent time as a videographer, architectural photographer, and creative director, he brings these disciplines and ways of seeing to bear on his evolving algorithmically-based works. (​​
Melting Memories offered new insights into the representational possibilities emerging from the intersection of advanced technology and contemporary art.
Anadol’s installations do not only address a productive espousal of cutting-edge technology and art but also a strong preoccupation with the study of human memory from Ancient Egyptians to Blade Runner 2049. The exhibition’s title, Melting Memories, refers to the artist’s experience with unexpected interconnections among seminal philosophical works, academic inquiries and artworks that take memory as their principal themes. The title further draws attention to the melting of neuroscience and technology into these centuries-long philosophical debates, questioning the emergence of a new space where artificial intelligence is not in conflict with individuality and intimacy.

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